Game Review: Sleaford Mods' Jason Williamson Takes On Character in Sceptical Examination at 90s Rave Culture
Helmed by Portishead co-founder Geoff Barrow, this scabrous if undernourished first film turns a sceptical eye on 90s rave culture. Self-serving drug user David (Marc Bessant) initially steals from an unconscious dealer, then in another flashback tries to burgle his own parents. Before you can say, he's upside down in the remains of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Duel
Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into flashbacks of his everyday life. The central theme – that the rave-era youth were primarily out for number one – is firmly made. But these vignettes are insufficiently developed to properly prime us for what to expect when the Woodsman turns up, fuming after David strangles his dog. Still, a grimly amusing duel takes hold – David eager to get away; the Woodsman withholding his jerrycan of cider, intent on dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
Just a single key story turn, but it results in a comically executed rampage on the woodland paths that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film is in UK and Irish cinemas from 17 November.
